If you hear distortion, turn down the master fader on the mixer until the sound is clean.Ĭlose-miked vocals will likely need some bass rolloff to prevent boominess, so turn down 100 Hz in the mixer’s EQ until the vocals sound natural. Again, unplug devices from the smartphone to hear the audio.
Cassette mate records via usb in mono trial#
Set up the mix, then do a trial recording and listen to the playback to check the mix. Once everything is plugged in, you’re ready to go.
The recording will be mono - if you want stereo, an audio interface and adapter cables are needed (to be explained later).
Cassette mate records via usb in mono professional#
They mate a professional mic or a mixer to the mic input of a smartphone, which is a TRRS jack.Ī simple cable to connect a mixer to a smartphone is the Headset Buddy line-level audio input adapter. Note: the pad can be omitted if you turn down the mixer’s master faders to -40 dB to -50 dB. An inline pad that reduces the strong line-level signal from the mixer down to a weaker mic-level signal that a smartphone requires.An adapter cable: RCA-to-male XLR, or 1/4-inch phone plug-to-male XLR, or a standard XLR mic cable.To send a signal between those different connectors, you need three items which you can find in a Google search (see the illustration).
The mixer has one or more of these output connectors: RCA (phono), 1/4-inch phone jack, and/or male XLR. Run the mics through the mixer, set up a mix, and send the mix to the smartphone using the devices shown in Figure 4.įigure 4: Connections from a mixer to a smartphone. The result is a pro-quality mono recording. With this method, close-mike all the instruments and vocals as you do on stage. Connections from a USB mic to a smartphone are described later. The picture quality of most laptops is not great, so you might prefer to use a smartphone or a good webcam. If using a USB mic, plug it into your laptop to record a performance with webcam recording software. During playback, be sure to unplug the adapter from the smartphone otherwise you won’t hear the audio. If the vocals are too quiet relative to the instruments, raise the mic. Make some trial recordings to check the mix. Now that the overall sound is more present, balance the musicians by placing them closer or farther from the mic. With recent iPhones, connect the XLR-to-TRRS adapter to the Apple Lightning adapter. Then connect a mic cable from the supply output to the XLR-to-TRRS adapter. If you have a condenser mic, connect the mic to a phantom power supply as shown in Figure 1. Note that dynamic mics tend to be much lower in level than condenser mics and therefore may not be usable. Place the mic about 2 feet from a group or about 1 foot from a soloist and connect it to the smartphone using a female XLR-to-TRRS adapter.įigure 3: Female XLR-to-TRRS adapter schematic. Use a mic of your own choosing this way as well ( Figure 1). Connect the TRRS plug to that Apple Lightning adapter. Recent iPhones come with a TRRS-to-Lightning adapter, also called 3.5mm-to-Lightning adapter. Plug the mic’s TRRS plug into the smartphone. Tape the mic to a mic stand about 1 foot from a soloist or 2 feet from a band. I suggest trying a PopVoice lavalier mic with a 16-foot cable and a TRRS connector for this approach. Then you can record and/or stream videos with a professional sound: clear and close.ġ) Connect One Closeup Mic To The Smartphone What’s needed are ways to get one or more mics closer to you (and if applicable, your fellow performers), and here I’ll describe several ways to do just that. When performing music on video via a smartphone, is the sound distant and muddy? If so, it’s because the smartphone’s built-in microphone is too far from you/your band.
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